…and thanks for reading. I’m no longer updating this blog.
Rhett Dashwood is Creative Director for Wade Studios and links to his latest project have been doing the rounds through the web the past couple of days. He has scoured the state of Victoria, Australia in Google Maps to compile an alphabet of letter forms. It’s a complete set of mostly upper case letters but I can see a lot of people will now set about trying to better the collection. Here’s Rhett’s full set. No flight I take will ever be the same again.
Links:
Rhett Dashwood
Wade Studios
Google Maps Locations: a, b, c, d, e, f, g, h, i, j, k, l, m, n, o, p, q, r, s, t, u, v, w, x, y, z

I came across Skinny Ships’ website via the excellent minimalsites.com. Skinny Ships or Richard Perez is a graphic designer and illustrator based in San Francisco. I loved his work, particularly his posters featuring illustrated lettering. He very nicely agreed to answer some of my questions.
Can you remember what was it that first attracted you to or at least made you aware of graphic design?
What initially made me aware of design was movie posters and album covers as a teenager; I got a record player when I was 13 and bought a bunch of old rock LPs, I remember staring at The Beatles’ Revolver and Led Zeppelin’s III covers and thinking creating covers would be so cool to do!
Do you have any favourite designers, typographers or illustrators who you really look up to? What is it about their work that you love?
I’m a huge fan of a lot of mid century designers & illustrators like; Otl Aicher, Saul Bass, Charley Harper and Reid Miles. The work created during this period is so bold, simple and vibrant it’s such a breath of fresh air compared to a lot of contemporary commercial design out there. I do also admire a lot of the young designers who also draw inspiration by 50s - 60s design, guys like Heads of State, Adrian Johnson, and Invisible Creature.
You trained at the Academy of Art University in San Francisco. What did you enjoy about the course?
The range of projects we took on as students was quite varied from packaging to posters to whole design campaigns led to quite a well rounded out portfolio. There was also a lot of focusing on concept and that the process is such an important part of designing, which I also really admired.
And what’s the best thing about being a designer in SF?
There really is a good community of designers and artists in San Francisco, and I’ve meet a lot of really of talented folks who have helped me further myself as a designer and artists. Plus a great deal of inspiration from various events and such going on all the time.
What inspires you when you’re feeling blocked or presented with a blank piece of paper?
I usually just start doodling, and trying to visualize any ideas that come to my head. Then try to figure what I should try and develop further, and what should be chucked away. Whenever I feel stuck, I usually just step away and do something else, usually get a bite. I find inspiration usually hits in when you stop stressing and racking your brain to find the solution a the desk and enjoy some good foodstuffs.
If you don’t have a client or brief to satisfy what’s your favourite typeface - just one you like for purely aesthetic reasons and what do you like about it?
Its a toss up between Poster Bodoni by Chauncey H. Griffith, there’s something both classical yet contemporary to it which I just love, and (surprise surprise) Helvetica. I know its ubiquitous and the go to font for all the designers, but I don’t care I love Helvetica!
Thank you Richard. Keep up the great work! Richard mentioned a lot of great designers, artists and illustrators. The links are below. My personal favourite from these is the iconic work of Blue Note designer Reid Miles. And just below is another example of Richard’s work a poster called ‘Things I Like’.

Links:
Otl Aicher
Saul Bass
Charley Harper
Reid Miles
On Wednesday we were lucky enough to go to the special screening of Gary Hustwit’s new documentary Objectified. Mighty fine it was too. Gary also directed the super duper feature length documentary Helvetica. At the screening he announced he has another design related documentary in the pipeline. He didn’t add any other details but he did say that it would probably be the final design film in a neat little trilogy.
Not only was Objectified a great insight into the world of product design but the graphic design for the promotional materials and during the movie itself is rather special. Check out the awesome logo created by silhouettes of iconic products used as letters. Lovely.

Objectified Trailer
Objectified is a feature-length documentary about our complex relationship with manufactured objects and, by extension, the people who design them. It’s a look at the creativity at work behind everything from toothbrushes to tech gadgets. It’s about the designers who re-examine, re-evaluate and re-invent our manufactured environment on a daily basis. It’s about personal expression, identity, consumerism, and sustainability.
Helvetica Trailer:
Helvetica is a feature-length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface (which recently celebrated its 50th birthday in 2007) as part of a larger conversation about the way type affects our lives. Helvetica has been shown at over 200 film festivals, museums, design conferences, and cinemas worldwide, and is now available on DVD.
I’ve decided to save up the photos of interesting signs and posters I take out and about on my travels and post them in bunches. I’m gonna call this feature, somewhat unimaginatively, From the street.
Here are some shots from the past couple of weeks…











Tripsoff sent me this video a couple of weeks ago. I loved it and wanted to know more about who made it. A quick look on the web gave me a Vimeo email address. I sent them a message and I got a hello from Urk who made the video with Koonklung from B.O.R.E.D. and didn’t mind answering some questions - which was very nice.
What is your name and what do you do?
My name is Urk. I love experimenting with stuff and all kinds of moving images.
Where are you from and where do you live at the moment? What is the best thing about living there?
I come from Bangkok, Thailand but now I’m currently living in Tokyo, I’m studying Japanese here and hopefully get a chance to do some creative work here. The best thing about Japan is that it is so unique, culture, food, people everything. Now I’m working as a freelance for the company called Duck Unit in Bangkok. (EmEnEx: Check out their blog - great pictures of peeps on bikes)
How did you come up with the idea for ‘A-Z’?
I got the idea for this project when i was looking for random science experiments on the internet, then i came across the material called non-newtonian fluid, i did a lot of experiments with afterwards, a-z was one of them.
What else are you working on at the moment?
I am now working on a stop motion music video project.
Who are your favourite film-makers, designers or artists?
Now I really like the group called Encyclopedia Pictura because of their unique style.
At the moment what is your favourite typeface?
umm, i don’t have a favorite one in particular, it just depends on the nature of the project.
Thanks very much for your time, Urk! And keep up the great work :)
Links:
KoonklungB.O.R.E.D.
Duck Unit
Encyclopedia Pictura
Non-Newtonian Fluid
Our half melted happy birthday candles from today’s birthday brownies.
I must have walked past ‘marcus campbell: art books’ over a hundred times in the past year but I’ve never been inside because I thought they only sold very expensive collector’s books. I ventured in today for the first time. I am a complete convert now and I fear I may become a regular customer. It isn’t very expensive and there are a whole load of bargains to be had. There are bins and tables with top quality books for £1 and £2. I highly recommend it.

This book about Romanian artist Victor Man caught my eye because of the fab minimal type on grey fabric cover. After thumbing through it and instantly liking his work I handed over £2 to who I assume must have been Marcus (I woke him from a lie down as he wasn’t feeling very well oops) and left a very happy chap.
No prizes for guessing where I took this photograph. I’m pretty sure this is DIN. The gallery is free to visit and definitely worth a look. DIN, if that’s correct, is used throughout the gallery for labels and signage as well as on their website. The typeface’s architectural qualities match the clean lines of the small but handsome white spaces of the gallery.
I love DIN - especially the 45 degree cross of the Q that ends precisely on the baseline. Combined with the straight uprights of the O shape, it really is beautiful.
This digital clock displays the time using photographs of numbers in different typefaces. The clock is part of the street level branding for the Ascent Media building on Wardour Street in Soho, London.
A while ago I started photographing large letters whenever I saw them to build up an alphabet of random letters and numbers. It isn’t possible to build a font using the pictures themselves, instead, I create text by placing the appropriate image files next to each other using a graphics package. As it is fairly time consuming it is really only suitable for small amounts of text such as headlines or as in this case, a clock.
Fixed-up old racing bike frames are really popular in London at the moment. Nice and cheap to get hold of and the designs are usually really interesting.
A rowing boat in Cambridge. Accidental postmodern distorted typeface.
Helvetica again. This time in neon orange at Kings Cross station.
